|
"With
creative chops on the order of Brockman's . . . , you might
even keep the old ghosts of Mozart's time happy."
Bob
Doerschuk, Keyboard Magazine
".
. . sparkles with creative effects"
Faucett,
American Record Guide
"Reflecting the ‘Three Es’ [enlightening,
edifying, and entertaining], this work is, dare we say it,
‘Fun’?”
20th
Century Music
".
. . most accomplished . . . an aural Rorschach test, with
side trips."
Daniel
Cariaga, Los Angeles Times
".
. . work of whirling color and ingenuity"
Minneapolis
Star Tribune
".
. . leaving vapor trails. . .sonorities that are sometimes
animated, or statically lush."
Stephen
W. Ellis, Fanfare Magazine
[The
music] "has a mercurial and strangely mournful grace that
moves amid a sense of mystery. . . bold colors and rapidly
shifting textures."
Kenneth
LaFave, Kansas City Star
"rather
bewitching. . .engages the mind as well as the senses"
Steve
Metcalf, The Hartford Courant
"a
roller coaster ride over the octaves. . .Brockman's work
features dexterous tonal movements and a taste for graceful
sound object abstactions."
Robert
J. Owens, Computer Music Journal
|
